![]() The gelatin water I mentioned earlier refers to track number nine (Volcanoes Of Mercury) which includes the sound of a volcano bub-bub-bubbling away (not just for thirty seconds but rather throughout the entire four minutes!). In fact, he was probably a true innovator. Russ Garcia is fairly well known in the Space Age Pop genre, and, with a little research, I discovered that he was a bonafide musical prodigy and successful composer in his day ('30s, '40s and '50s). The tracks are all original compositions, from what I can tell. At least for me, and even after repeated plays, Fantastica has a wickedly challenging and unpredictable way about itself. Also worthy of note is that, of music from space age, this is probably one of the most effective albums in terms of "taking you away from Earth" - the spaced out exotic/impressionistic atmosphere is so thick you can cut it with a knife.Ī lot of professors will go into the concept of tension (or comfort zone) when discussing pieces of music, and, staying alert to my own responses throughout the run-time of this record, I can say that it does a right-fine job at keeping you on edge. I think I can hear tinges of Varese-like meanderings and some of the more bizarre modern classical stylings worked into this, which is rare considering that Fantastica was really a "mainstream" effort. The orchestra, however, is used in a wildly different fashion than what is generally associated with the early years of stereophonic sound. Fantastica incorporates a great variety of sound effects, including tape manipulation and gelatin water (more on that in a minute.), as well as orchestral arrangement. This is mostly an instrumental adventure (except for the occasional abstract female vocal), and it is not quite as Big Band as some might be led to believe. Listening to it will ultimately give you the impression you need, possibly even more so with this album than any old "average" one. It is so incredible, in fact, that I fear no words could possibly do it justice. I've heard this straight-through on more than several instances and all I can say is that this is a really incredible record. In many ways, this album also sounds so far ahead of its time that it would still be considered innovative even by today's standards. ![]() You'll like it - it's BAD for you.This late '50s album by Russ Garcia, originally released on the Liberty label, wholly epitomizes the values of Space Age Bachelor Pad music - very dated (but very fascinating) cover art and some of the most unusual sounds on Earth (or elsewhere!), along with that essential Atomic Age vibe that pop music from the time period captured so damn well. So, pour the highly effective beverage, switch on the vaporizer and change your mind. Surf instrumentals and garage rock rub up against Turkish psychedelic bands, followed in hot pursuit by Congolese rumba, raunchy DJ toasting from Jamaican shanty towns, southeast Asian ‘shadow’ guitar bands and raw, proto-R’n’B singles from America’s chitlin circuit. Hear the sounds that have inspired miscreants of many lands: English mods Jamaican rude boys Tuareg rockers from the Sahara impeccably dressed sapeurs from Zaîre and the surfers, bikers, grifters, pimps, dealers and other forms of low life native to our own U.S.A. The broadcast emanates each Saturday night from the Purple Bat Lounge, a frabjous place in a decidedly vorpal neighborhood, where our two DJ's play music about cars and girls and money and dope.for folks who like those sorts of things. The Time Of Useless Consciousness, beginning 9pm PST on Saturdays.
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